My painting action is not only restricted in front of the canvas. First, I have to step outside the studio. (I went as far as I can, at last I visited the Czech Republic and Vietnam.) I confirmed the differences between information and personal experience, and collected stories and photos while visiting. After returning to the studio, I began to study a Madeleine model, a place where a bomber crashed, the shape of the Bánh Chưng, the wrapping paper and many other different objects. My paintings are according to the images acquired from the visits and reconstructed via my cognition and self visual experience. Therefore, time and space can be preserved and condensed on the canvas. The shapes on the painting are blurred or fused to each other, indicating ongoing deforming postures. I hope the audience could connect their own memory and experience through reading and imagining the vague objects from my paintings.